my artistic practice grounds upon a spiritual, childishly naive sense of Nature. nature is my God.
this 'sense of Nature' is in essence a yearning for a mutual undertanding between an animal and a human, for primal nature and primal human that exsisted before capitalism and industry; when human was not a consumer, employee and a citizen; and animal was not a refuge and a lifeless puppet in our hands. my work is nistalgia-induced, nostalgia for nature and time when everyone was real.
forms fascinate me the most – this defines the interdisciplinary nature of my work. alongside oil painting I work with ceramics and often fuse one into another.